A writing brief is a direct instruction to a writer. Its job is to give the writer everything they need to produce the right piece — the right subject, the right angle, the right audience, the right length, the right register — without giving them so much that the instruction becomes noise.
This sounds simple. In practice, most briefs fail at one end or the other. They are either too thin — a title, a word count, and a vague gesture towards the topic — or too long, padded with boilerplate that says nothing specific about this piece. The writer is left either guessing or sifting.
The brief that actually helps is something else: a document that is short enough to read in two minutes and specific enough to answer every practical question before the writing begins.
Continue reading “What a Good Brief Actually Contains”