The first draft has a problem that most writing advice obscures: it is not a draft of the piece. It is a draft of the thinking. And thinking, in its early stages, is neither coherent nor presentable. It circles, qualifies, contradicts itself, arrives at the wrong place, and occasionally surprises the writer by going somewhere better than intended.
This is not a malfunction of the first draft. It is the first draft doing exactly what it is supposed to do. The problem arises when writers mistake the first draft for something it is not — for a preliminary version of the final piece, which will be corrected into shape. A preliminary version of the final piece would only require editing. What most first drafts actually require is a reckoning.
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